birth, rise and failure of a small family-owned company that markets the Italian province planetary conquest. Before a company like many others of a marginal economy, then growth, stock quotes and success. For the family Rastelli, the dream of a life that is transformed into reality. But that dream becomes a nightmare when on the verge of bankruptcy the only way out is to finance the "creative" economy that does not exist. But losing is not only the Leda, as small investors attracted by deception.
Any reference to persons, property or real events is purely causal ....
For goodness sake, that never even remotely scary are the whispers of the Parmalat crack, but at least it is utopian to believe that the judicial Callisto Tanzi and his associates are not a perfect subtitle for this film to Andrea Molaioli. What comes back behind a camera after four years and the success of The Girl by the Lake. His debut, however, after working his way behind Moretti and Calopresti. And between the two films is a common thread. Always the Province of Italy in the background. Rich, industrious, peaceful, but also murky, claustrophobic, creeping. Imaginary place in which lies much of the workforce of this country, and, last but not the second floor of his small savers. It is they who pay the bill of salty revelry of the new economy, finance and virtual dancer moves awkwardly from a shark bit 'awkward and very naive. Here, the thought-that is why the gem is fiction, yes, but to a certain point, suddenly runs to the images of the news a few years ago, we are in 2004 when for the first time the Italians began (tardivamente!) to get to know new terms and abstruse in appearance only, as the "bond", "insider trading", "fraudulent bankruptcy". The "if money is not there, inventiamoceli" with which the accountant (Toni Servillo) right arm of the patron (Remo Girone) thinks he can solve the problems raising rather than give up, says a lot. Yet, the vicious circle is not limited only to the Italian province. Why appearance on the roof of the world implies they are well covered. The huge deception stands leaning on cracks, caste lobby. But you know, in the salons, and even in the "Square Cuccia" Noantri, when one of the guests fall into low fortune, loses the support and solidarity of other associates. What can not risk being dragged down. Luckily, however, that Italy is one of those countries where, in some respects, traveling against the trend: it is the only industrialized West that has seen the decriminalization of financial crimes. But this, if you will, is another story. Or maybe not, as was said before, the tenuous border between cinema and entertainment often of inquiry, in the work of a Molaioli, merges with the news. With unscrupulous businessmen owners of newspapers, banks, football teams. Filmed by far Collecchio, in much the Nordic Acqui Terme in the province of Alessandria, in part because the legal battle is still far from over, the jewel, suggest the "rumors", could even end up in Cannes next May. So that the interpreters would not look bad mica. Remo Girone in a great sweep, and the interpreter strong contemporary Italian celluloid responding all'osannato name Toni Servillo (who had previously worked with Molaioli in The Girl by the Lake) make up for itself to some passages stale film. Not forgetting, of course, the proof of saucy Sarah Felberbaum, known to the general public for his hilarious participation in boys versus girls (2010). As they say from the parts of Wall Street, money never sleeps. Unless a gem of a company does not become a fake. A fake, perhaps, with a gap of fourteen billion euro.
Edoardo Trimboli
taken from www.film-review.it
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